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Oh I have a tip for makehuman .....

The best way to get a lowpoly model out of makehuman without all the extra rigging and others stuff, is like so I do this because the makehuman importer for blender is flaky and never includes the proxy models.

Step 1
Click on "Geometries" then "Proxies"

Step 2
In the right side panel choose the proxy you want to use there is 3 differant levels of detail from "Normal" to "Ultra Low Poly."

Step 3
In the "Toolbar" click on the save file icon, then in the "Left Side Panel" click on "Wavefront Obj" enter a new name for your file and click the export button.

Then paint and rig in your favorite 3d package.

Also if you click on the little "Net" icon in the "Toolbar" you can enable "Wireframe" view to get a better idea what your characters mesh will look like.

Ultra Lowpoly

Normal 16k Poly

i agree, full Bullet Support is badly needed like yesterday, Morph target animation is defiantly something I would like to see in "Addition" at a later time. Maratis doesn't even have a proper Particle Effects system yet.

Its called Morph target animation, per-vertex animation, shape interpolation, or blend shapes.

There are advantages to using morph target animation over skeletal animation. The artist has more control over the movements because he or she can define the individual positions of the vertices within a keyframe, rather than being constrained by skeletons. This can be useful for animating cloth, skin, and facial expressions because it can be difficult to conform those things to the bones that are required for skeletal animation.

The Horde3D engine supports this but I think there the only OSS engine that does, could pull that and there particle effects code. Once we get the build system moved over to premake ill look into it. Horde3D code base is realy small and clean. The author works for crytek.

Tutorial Doctor you shouldn't have to do all of that you could do this with physics and auto keying in blender.

I am going to dump the images here first then fill the tutorial in with instructions, its geared for those who only have limited blender experience. Note: I might have some of the images out of order on accident, there was a lot of pictures but I will fix them.

Project File to follow along with. https://zester.googlecode.com/files/Project.zip

Step 1
Open the UV/Image Editor

Step 2
Create a new blank texture 2048x2048 and name it "Diffuse"

Step 3
We are going to fill the blank texture with the UV Grid, this is useful in combination with blenders UV tools to look for any stretching with the UV's
Note: Blender has one of the most Advanced UV Editors that exists, if nothing else in Pro VFX work its used for that, ill show you how to use the advance UV editing features in another tutorial.

Step 4
Create a new Material

Step 5
Open the Texture Tab and create a new texture if one doesnt already exist.

Step 6
Choose the "Diffuse texture we just created."

Step 7
Change the mapping from "Generated" to "UV"

Step 8
With your mouse cursor over your modeling view press the "N" key to open up the "Viewport Properties" panel and scroll down to the "Display" tab and change that from "Multitexture" to "GLSL"

Step 9
Note: This is out of order.

Step 10
Create a new "Brush" and ...

Step 11
Open the "HeadAndFaceReference.jpg" image

Step 12
Rename your Bush Image to "FaceReferance"

Step 13
Change to "Texture Paint Mode"

Step 14
If the Texture Paint Mode side Panel isn't already open then open it by pressing the "T" key

Step 15
Turn the "Strength" of your "Brush" all the way up

Step 16
Scroll down to the "Texture" tab and open it if its not already showing, choose the "FaceReferance" image if it isnt already selected and change the "Mode" to "Stencil"

Step 17
When you move your mouse cursor over the viewport you should now see the semi transparent "FaceReferance" image being projected over your model.

Projection Painting Controls

1. Right Mouse Button (RMB) down at the same time and moving your mouse will move the reference image around.

2. SHIFT + Right Mouse Button (RMB) down at the same time while moving your mouse will scale the image Up & Down.

3. CTRL + Right Mouse Button (RMB) down at the same time while moving your mouse will rotate the reference image.

4. SHIFT + Right Mouse Button (RMB) down at the same time and Click/Release Y or X key and moving your mouse will scale the reference image on the Y or X axis only.

Step 18
Our Characters Dimensions and the Dimensions of our reference image will more than likely be different so start small on key areas like the "Mouth" and just start painting.

Step 19
When your "Mouse Cursor" leaves your viewport the "Reference Image" will disappear so you can see your progress more clearly

Step 20
Paint the "Eyes" an then "Nose" next.

Step 21
Its looking good

You will be hard pressed to find really high quality free reference images to use, what I do is look for individual photos of different parts of the body (Face, Chest, Back, Arms, Legs, ...) and then do color correction (Color Balance) and save those setting and apply that to the rest of my reference photo's.

Senshi Stock (Lots of free Reference Poses, mostly female some male)
Note: You need a deviantart account its free to create one.
http://senshistock.deviantart.com/gallery/

kristinkk (Both male and female models)
Note: You need a deviantart account its free to create one.
http://kristinkk.deviantart.com/gallery/

I will post more resources as I find them.

Thats a makehuman proxy model 3000k poly and they come with there UV's already unwrapped, all I did here was the texture painting. But UV's are really easy also there are a couple of tricks you can do I would be happy to make a tutorials on UV's also.

Here was my first attempt, when I learned how the pros texture paint there models. This took me about 5-10 mins to do. But the tutorial I am writing right now will apply to texture painting any type of object.

I use Projection Painting with Stencils for most things and Tile for hard to reach places.

But yes super easy and fast.

I'm going to go watch Andrews video, haven't seen it yet, but from browsing the comments it appears to be about Blenders UI and plug-ins.

In regards to "Import/Export" plug-ins the situation is just as bad if not worse with 3DS and Maya, I was using Maya 2013 last night trying to export an FBX model to something Blender could read and in the end I had to use https://sites.google.com/a/render.jp/blenderfbx/ because Mayas collada, obj exporter would fail.

In my experience any format other than fbx is a gamble with Autodesk products.

For the UI complaints, the UI doesn't bother me as I use Hotkeys for everything even in other 3D packages, but solving this problem for others will not be an easy fix, as all of the follow use the Qt Toolkit for there GUI and the actual UI configuration options are a feature of Qt and not of there own.

MARI
2. NukeX
3. Katana
4. Hiero
5. Maya
6. Mudbox
7. Houdini
8. Realflow

Qt and Python is the standard for most VFX tools, Blendes UI on the other-hand is done using there own GL based UI toolkit. Much in the same-way as Maratis.

I would defiantly like to see Blender follow the trend already set by Using Qt just as I would like to see the Maratis Editor using Qt as I am a Qt dev but Im not going to hold my breath waiting for that to happen with Blender.

Avoid schools that only teach a particular tool, avoid all VFX schools that teach using windows. Windows isnt used in the VFX industry thats a Linux and Mac dominated market. You will find far more schools advertising Maya than 3DsMax.

These are the tools used in the professional industry.

1. MARI
2. NukeX
3. Katana
4. Hiero
5. Maya
6. Mudbox
7. Houdini
8. Modo
9. 3DCoat
10. Realflow

In regards to Indie Game Development, Unity3D dominates this area and the most used 3D package in the Unity community is  Blender.

That Rage terrain is pretty cool.

So while I was studying anael's rage terrain screenshot, I was completely stumped I had no clue on how they were generating that surface detail. I tried for days and couldn't get anything remotely comparable. And I knew that they were not modeling every detail by hand and even with shaders and there mega texturing system there was something particular going on in that terrain that I wasn't figuring into the problem.

Then it came to me ........ there using 16bit heightmaps.

Most of us are accustom to using 8bit heightmaps and wouldn't know a 16bit heightmap if it hit us in the face well no one would.
The additional coding in a 16bit heightmap is invisible to not only our eyes but your computer screen.

So I tried it out I loaded a 16bit height map I found online into blender and used a subdivided plane and a displacement modifier, the heightmap I used was of a small (1 square mile) section of New Zealand. At first it just looked like any other boring no detail terrain. Then I remembered what the guy on that johnflower site said about uping the poly count. So I subdivided until I had about
200,000 faces about what that rage terrain probably has. And you know what I started to see!!!!!! Roads, cracks in the earth, lots and lots of surface detail made that rage terrain look like some indie job!!!!

And anaels right my terrain was just a diffuse map painted in blender. Using the differant brushes and setting,s. Nothing special or even hard.

Sure

1. Make your levels smaller and more detailed.
2. Have the insides of your building be a separate object from the out side, load and unload these part depending on if you inside or out.
3. Spend some more time practicing your modeling  and texturing.
4. Use Normal, Specular Maps
5. Bake some AO maps to layer over your diffuse textures.
6. Remove any extra faces(polys) from your models that will not be seen.

Your game looks cool and you have the character animation/game scripting down.  But its really slow on my intel gma 3000
and your models and textures need some more work.

Good Job

When you find the time document whatever info you have for maratis on android and I can
look into it, I have a few android devices.

It will publish a binary executable with you files packed, but in order to publish for mac/ios, windows and linux you have  to publish from that os.  It will not create a linux or mac executable from windows.